If acing the ISEE/SSAT exam and getting into a private or independent school is important to you and your child then I suggest you absorb every single bellowing word.
Every year millions of parents attempt to get their children into private school and it's no secret that admissions are getting harder and harder all the time. Schools only want the best and brightest students and because of the large amount of applicants, they can afford to be choosy. In fact, its become so competitive that only 1 out of every 5 students who apply will be accepted. This means that a shocking 80% of students are rejected.
Let's face it, an average score on the Independent School Entrance Exam or the Secondary School Admission Test will NOT be enough to get you into these competitive schools. You really need to excel on these crucial tests and you only have one chance to do it.
Lets be realistic, for most families $2000+ in extra tutoring is just not affordable. On top of that, tutored students are limited to one or two hours of study per week. We set out to create something as good as or better than private tutoring but with one crucial difference. It would be at an affordable price that anyone could afford.
A system that would allow students to prepare as much as they needed to 24 hours a day 7 days a week. And give parents the piece of mind that their child would be ready to excel when it came time to sit their admissions test.
For the past 15 years our family has been living off the grid with only solar and wind power. After building our own home we turned our attention to the problem of finding alternative energy options for our home that we could afford.
You see our family is no different than yours. We are just regular people who just want to make a difference in their lives. We wanted to lower our expenses, especially electricity costs. It is getting very expensive out there so we figured out a way to beat it, and we are going to show you how
The story of how we built our own wind generator over 15 years ago follows.
This project has proven to be a great addition to our renewable energy system. In fact, we are confident that this is the fastest way for any family to get started.
When we first started out with using renewable energy for our home we took the usual route and bought a few solar panels and eventually a wind generator too.
We did all of the installation work ourselves, and soon visitors to our rather unique home were asking us to install renewable energy systems for them too.
It developed into a rather busy time for us installing solar panels and wind generators, but we still had not found an answer to the problem of how expensive it was to get started running a home with renewable energy.
You see a typical system we were installing cost about $10,000 for the average home, and the biggest expense was that wind generator coming in at about $4000 usually. That is a lot of money for most people, but it seemed like there was no alternative.
And then it happened... The answer was delivered to our door!
Literally, this is what happened. One of our deliveries of wind generators (there were 3 arriving) came to us unassembled, with a note about how it would be a simple matter for us to put the units together for our customers.
Actually, we could not believe how simple these machines really were. And then the light went on, this was our answer. Let's see if we can track down all of the parts and build our own wind generator.
After about 2 years of work and research, and untold test wind generators we finally came up with a system for building a wind generator that anyone could do... and the best part, all of the parts cost less than $100.
We really didn't want to sell wind generators at this point so we decided to put together wind generator plans so that everyone could benefit from our discovery. This seemed like the best way to get this much needed information out to you, the home owner struggling with rising electricity costs.
Let's face it, math can be fun but not all kids think it is. Kids are used to being entertained and expect everything that you want them to do, to be just as entertaining as their favorite pastimes.
What worked in the past, doesn't necessarily work today. Many kids don't want to learn math or practice math, they'd rather be watching DVD's or playing with computer games.
No wonder you feel frustrated!
You know that math skills will be vital to every child’s future. It helps them in school… at work… in social situations… in all areas of life. You simply cannot get along without it. But many kids struggle with math and don't enjoy it at all.
But it doesn't have to be like this!
Imagine being able to get kids so engaged with math that they don't even want to stop even when you ask them to. Wouldn't that be great? Imagine the satisfaction that you'd get from seeing your kids math skills soar and their grades in math going up and up.
Now you can get kids engaged in math and wanting to do more day after day....
So, lets make our children love math. We can teach them with a math game and other way. But if you wish to get more information about math game, you can Click Here! to get it.
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The period between the two World Wars, often considered to be the Golden Age of French fashion, was one of great change and reformation. Carriages were replaced by cars, princes and princesses lost their crowns, and haute couture found new clients in the ranks of film actresses, American heiresses, and the wives and daughters of wealthy industrialists.
1920s
Soon after the First World War, a radical change came about in fashion. Bouffant coiffures gave way to short bobs, dresses with long trains gave way to above-the-knee pinafores. Corsets were abandoned and women borrowed their clothes from the male wardrobe and chose to dress like boys. Although, at first, many couturiers were reluctant to adopt the new androgynous style, they embraced them wholeheartedly from around 1925. A bustless, waistless silhouette emerged and aggressive dressing-down was mitigated by feather boas, embroidery, and showy accessories. The flapper style (known to the French as the 'garçonne' look) became very popular among young women. The cloche hat was widely-worn and sportswear became popular with both men and women during the decade, with designers like Jean Patou and Coco Chanel popularizing the sporty and athletic look.
The great couturière [Coco Chanel] was a major figure in fashion at the time, as much for her magnetic personality as for her chic and progressive designs. Chanel helped popularize the bob hairstyle, the little black dress, and the use of jersey knit for women's clothing and also elevated the status of both costume jewelry and knitwear.
Two other prominent French designers of the 1920s were Jeanne Lanvin and Jean Patou. Jeanne Lanvin, who began her career in fashion as a milliner, made such beautiful outfits for her young daughter Marguerite that people started to ask for copies, and Lanvin was soon making dresses for their mothers. Lanvin's name appears in the fashion yearbook from about 1901 onwards. However, it was in the 1920s that she reached the peak of her popularity and success. The Lanvin style embraced the look of the time, with its skillful use of complex trimmings, dazzling embroideries, and beaded decorations in light, clear, floral colors that eventually became a Lanvin trademark. By 1925 Lanvin produced many different products, including sportswear, furs, lingerie, men's fashion, and interior designs. Her global approach to fashion foreshadowed the schemes that all the large contemporary fashion houses would later adopt in their efforts to diversify.
The style of Jean Patou was never mainstream, but full of originality and characterized by a studied simplicity which was to win him fame, particularly in the American markets. Many of his garments, with their clean lines, geometric and Cubist motifs, and mixture of luxury and practicality, were designed to satisfy the new vogue for the outdoor life, and bore a remarkable similarity to modern sportswear. The most famous advocate of his style was Suzanne Lenglen, the legendary tennis champion.
In menswear there was a growing mood of informality, among the Americans especially, which was mirrored in fashions that emphasized youthfulness and relaxation. In the past, there was a special outfit for every event in the well-dressed gentleman's day, but young men in the Twenties, no longer afraid to show their youthfulness, began to wear the same soft wool suit all day long. Short suit jackets replaced the old long jackets of the past which were now only worn for formal occasions. Men had a variety of sport clothes available to them, including sweaters and short pants, commonly known as knickers. For evening wear a short tuxedo was more fashionable than the tail-coat, which was now seen as somewhat old-fashioned. The London cut, with its slim lines, loose-fitting sleeves, and padded shoulders, perfected by the English tailor Scholte, was very popular.
Fair Isle patterns became very popular for both sexes. Heels, at the time, were often over two inches high and helped popularize the two-tone shoe its one of her trademarks. Salvatore Ferragamo and André Perugia were two of the most influential and respected designers in footwear. Many stars of the [silent film]s had a significant impact on fashion during the 1920s, perhaps most notably Louise Brooks, Gloria Swanson, and Colleen Moore. The lighthearted, forward-looking fashions of the 1920s gradually came to halt after the Wall Street Crash of 1929, and succumbed to a more conservative style.
1930s
In the 1930s, as the public began to feel the effects of the Great Depression, many designers found that crises are not the time for experimentation. Fashion became more compromising, aspiring to preserve feminism's victories while rediscovering a subtle and reassuring elegance and sophistication. Women's fashions moved away from the brash, daring style of the Twenties towards a more romantic, feminine silhouette. The waist was restored to its proper position, hemlines dropped, there was renewed appreciation of the bust, and backless evening gowns and soft, slim-fitting day dresses became popular. The female body was remodeled to a more neo-classical shape and slim, toned, and athletic bodies came into vogue. The fashion for outdoor activities stimulated couturiers to manufacture what would nowadays be called sportswear. The term 'ready-to-wear' was not yet widely used, but the boutiques already described such clothes as being 'for sport'.
Two of the most prominent and influential fashion designers of the 1930s were Elsa Schiaparelli and Madeleine Vionnet. Elsa Schiaparelli showed her first collection in 1929 and was immediately hailed by the press as 'one of the rare innovators' of the day. With her exciting and inventive designs, Schiaparelli did not so much revolutionize fashion as shatter its foundations. The first pullover she displayed in her windows created a sensation: it was knitted in black with a trompe-l'oeil white bow. She consistently turned out breathtaking collections thereafter. Schiaparelli was a close friend of Christian Berard, Jean Cocteau, and Salvador Dalí, who designed embroidery motifs for her and supplied inspiration for models like the desk suit with drawers for pockets, the shoe-shaped hat, and the silk dress painted with flies and the one bearing a picture of a large lobster. All of Paris thronged to her salon at 21 Place Vendôme as collection succeeded collection.
Madeleine Vionnet found her inspiration in ancient statues, creating timeless and beautiful gowns that would not look out of place on a Greek frieze. Queen of the bias cut (cutting diagonally across the fabric's lengthwise threads), she produced evening dresses that fitted the body without excessive elaboration or dissimulation, employing a flowing and elegant line. Her perfect draping of chiffon, silk, and Moroccan crepe created a marvelously poised and sensual effect. The unparalleled success of Vionnet's cuts guaranteed her reputation right up until her retirement in 1939.
Mainbocher, the first American designer to live and work in Paris, was also influential, with his plain yet supremely elegant designs, often employing the bias cut pioneered by Vionnet. The luxury goods manufacturer Hermès started selling handmade printed silk square scarves in early '30s, and also popularized the zip and many other practical innovations. Toward the end of the decade, women's fashions took on a somewhat more imposing and broad-shouldered silhouette, possibly influenced by Elsa Schiaparelli. Men's fashions continued the informal, practical trend that had dominated since the end of the First World War.
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Throughout the early 20th century, practically all high fashion originated in Paris, and to a lesser extent London. Fashion magazines from other countries sent editors to the Paris fashion shows. Department stores sent buyers to the Paris shows, where they purchased garments to copy (and openly stole the style lines and trim details of others). Both made-to-measure salons and ready-to-wear departments featured the latest Paris trends, adapted to the stores' assumptions about the lifestyles and pocket books of their targeted customers.
Around the start of the twentieth century fashion style magazines began to include photographs and became even more influential than in the past. In cities throughout the world these magazines were greatly sought-after and had a profound effect on public taste. Talented illustrators - among them Paul Iribe, Georges Lepape, Erté, and George Barbier - drew exquisite fashion plates for these publications, which covered the most recent developments in fashion and beauty. Perhaps the most famous of these magazines was La Gazette du bon ton which was founded in 1912 by Lucien Vogel and regularly published until 1925 (with the exception of the war years).
The outfits worn by the fashionable women of the 'Belle Époque' (as this era was called by the French) were strikingly similar to those worn in the heyday of the fashion pioneer Charles Worth. By the end of the nineteenth century, the horizons of the fashion industry had generally broadened, partly due to the more mobile and independent lifestyle many well-off women were beginning to adopt and the practical clothes they demanded. However, the fashions of the Belle Époque still retained the elaborate, upholstered, hourglass-shaped style of the 1800s. As of yet, no fashionable lady would (or could) dress or undress herself without the assistance of a third party. The constant need for radical change, which is now essential for the survival of fashion within the present system, was still literally unthinkable.
Conspicuous waste and conspicuous consumption defined the fashions of the decade and the outfits of the couturiers of the time were incredibly extravagant, elaborate, ornate, and painstakingly made. The curvaceous S-Bend silhouette dominated fashion up until around 1908. The S-Bend corset was very tightly laced at the waist which forced the hips back and the drooping mono bosom was thrust forward in a pouter pigeon effect creating an S shape. Toward the end of the decade the fashionable silhouette gradually became somewhat more straight and slim, partly due to Paul Poiret's high-waisted, shorter-skirted Directoire line of clothes.
The Maison Redfern was the first fashion house to offer women a tailored suit based directly on its male counterpart and the extremely practical and soberly elegant garment soon became an indispensable part of the wardrobe of any well-dressed woman. Another indispensable part of the outfit of the well-dressed woman was the designer hat. Fashionable hats at the time were either tiny little confections that perched on top of the head, or large and wide brimmed, trimmed with ribbons, flowers, and even feathers. Parasols were still used as decorative accessories and in the summer they dripped with lace and added to the overall elaborate prettiness.
During the early years of the 1910s the fashionable silhouette became much more lithe, fluid and soft than in the 1900s. When the Ballets Russes performed Scheherazade in Paris in 1910, a craze for Orientalism ensued. The couturier Paul Poiret was one of the first designers to translate this vogue into the fashion world. Poiret's clients were at once transformed into harem girls in flowing pantaloons, turbans, and vivid colors and geishas in exotic kimono. Paul Poiret also devised the first outfit which women could put on without the help of a maid. The Art Deco movement began to emerge at this time and its influence was evident in the designs of many couturiers of the time. Simple felt hats, turbans, and clouds of tulle replaced the styles of headgear popular in the 1900s. It is also notable that the first real fashion shows were organized during this period in time, by the first female couturier, Jeanne Paquin, who was also the first Parisian couturier to open foreign branches in London, Buenos Aires, and Madrid.
Two of the most influential fashions reflected light. His distinguished customers never lost a taste for his fluid lines and flimsy, diaphanous materials. While obeying imperatives that left little to the imagination of the couturier, Doucet was nonetheless a designer of immense taste and discrimination, a role many have tried since, but rarely with Doucet's level of success.
The Venice-based designer Mariano Fortuny y Madrazo was a curious figure, with very few parallels in any age. For his dress designs he conceived a special pleating process and new dyeing techniques. He gave the name Delphos to his long clinging sheath dresses that undulated with color. Each garment was made of a single piece of the finest silk, its unique color acquired by repeated immersions in dyes whose shades were suggestive of moonlight or of the watery reflections of the Venetian lagoon. Breton straw, Mexican cochineal, and indigo from the Far East were among the ingredients that Fortuny used. Among his many devotees were Eleanora Duse, Isadora Duncan, Cleo de Merode, the Marchesa Casati, Emilienne d'Alencon, and Liane de Pougy.
Changes in dress during World War I were dictated more by necessity than fashion. As more and more women were forced to work, they demanded clothes that were better suited to their new activities. Social events had to be postponed in favor of more pressing engagements and the need to mourn the increasing numbers of dead, visits to the wounded, and the general gravity of the time meant that darker colors became the norm. A new monochrome look emerged that was unfamiliar to young women in comfortable circumstances. By 1915 fashionable skirts had risen above the ankle and then later to mid-calf.
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The first designer who was not merely a dressmaker was Charles Frederick Worth (1826–1895). Before the former draper set up his maison couture fashion house in Paris, clothing design and creation was handled by largely anonymous people, and high fashion descended from style worn at royal courts. Worth's success was such that he was able to dictate to his customers what they should wear, instead of following their lead as earlier dressmakers had done. The term couturier was in fact first created in order to describe him.
It was during this period that many design houses began to hire artists to sketch or paint designs for garments. The images alone could be presented to clients much more cheaply than by producing an actual sample garment in the workroom. If the client liked the design, they ordered it and the resulting garment made money for the house. Thus, the tradition of designers sketching out garment designs instead of presenting completed garments on models to customers began as an economy.
Nineteenth Century
The influence of English dress on America, the growth of the industry, and the the impact fashion had on English and American cultures is documented throughout the century through various literary means.
Fashion in Literature Nineteenth-century transatlantic literature reflected the importance and progression of fashion British author Charles Dickens references the importance of the female seamstress and her role in English society, as well as ideas surrounding femininity in his novel Little Dorrit (Famine 55). Dickens' American Notes continues to illustrate a preoccupation with the fashion of both American and English with his opinion regarding the dress of American women (Dickens 36). American author Leander Richardson's The Dark City: Customs of the Cockneys further compares the relationship between American fashion trends in New York and Boston with those of London women. His criticism regarding the tendencies of American women to mimic British fashion trends reflects the idea of fashion as a transatlantic industrial market (Richardson 110). The American magazine, Godey's Lady's Book, edited by Sarah Josepha Hale connects nineteenth century fashion as a reflection of moral values of the time. Her praise of Queen Victoria's style of dress in 1868 revealed her understanding of women's dress reflecting the morality of English speaking people (With Grace 27).
Aesthetic Fashion As the century progressed, the importance of dressing correctly and dressing in aesthetically pleasing forms were also documented by nineteenth century authors. By the end of the 1870s, fashion in both American and English societies saw a shift from corsets, padding, and petticoats to fabrics that revealed the shape of the female body, a trend noted by English novelist Wilke Collins (With Grace 22). The aesthetic importance of nineteenth century transatlantic fashion appears in other various literary works. Several essays by Oscar Wilde, as well as Mary Hawei's Art of Decoration (1881) and Art of Dress (1878) encouraged women to dress in a more aesthetically pleasing manner inspired by nature (With Grace 22). In 1880, the importance of Aestheticism further inspired authors and performers in the arts field, ultimately leading to the increased recognition of aesthetic styles of fashion in the Western world. In addition to aestheticism, several reform movements, such as the American movement started by the National Dress Reform Association in 1856 sought to make women's clothing safer and more practical (With Grace 17).
Technology and Fashion As the century proceeded, the continued advancements of communication and technology allowed for an increase in production of textiles, particularly in America. American shoppers known as shopping agents traveled to Paris and were able return to America with clothing that would otherwise be unattainable for American women to own (With Grace 2). The increasing ability for transatlantic traveling in the nineteenth century allowed for the fashion trends of England and France to be seen in America. As the American economy grew with the expansion of markets like the cotton and fur industries, much attention fell upon transatlantic consumers.
To be continue… Click Here! To Get Complete Fashion History with full of sample pictures for each era.
Building a backyard chicken coop will be one of the best investments you'll ever make.
Not only will you have a self sustained miniature-farm that produces fresh organic eggs everyday, recycles your food scraps and provides high quality fertilizer, but you'll be proud to know that you made something with your own two hands.
Also, building your own chicken coop just makes economical sense. You can build a chicken coop at just a fraction of the cost of buying a pre-built one. Most pre-built chicken coops you buy need to be assembled anyway, you're really just paying hugely inflated prices for the material.
Unfortunately, building your own chicken coop is not as easy as hammering some wood and wire mesh together. You need to take into account materials, insulation, ventilation, lighting, positioning, nesting, perches, litter collection and protection from the elements and other animals.
Still More…
The Question is...how I can build it with a small budget and limit skills?. Well, i found a good website that talks about it. You can find all information that you need.
So, if you wish to build our own chicken coop. I recommended you to visit this site BUILDING FOR CHICKEN COOP or you can Click Here!. Believe me, You can find anything that you want to build your own chicken coop
The multi-billion-dollar pornography industry is using the Internet to tap into a new market – unashamedly, the sanctity of American homes. There are 4.2 million pornographic websites. That equals roughly 12% of all websites in the world.
80% of 15-17 year olds have had multiple hard-core exposures. 90% of 8-16 year olds have viewed porn online (most while doing homework.) 29% of 7-17 year olds would freely give out home address. 14% of 7-17 year olds would freely give out email address. 26 Childrens' character names (Including Pokeman and Action Man) are linked to thousands of porn links.
The average age of first Internet exposure to pornography is 11 years old.One in five children ages 10-17 have received a sexual solicitation over the Internet.70% of sexual advances over the Internet happened while youngsters were on a home computer.
A survey of 600 households conducted by the National Center for Missing & Exploited Children found that 20% of parents do not know any of their children’s Internet passwords, instant messaging nicknames or email addresses.
Incidents of child sexual exploitation have risen from 4,573 in 1998 to 112,083 in 2004, according to the National Center for Missing & Exploited Children. 96% of kids have gone online; 74% having access at home and 61% use the Internet on a typical day.
Twenty percent of youths received sexual solicitations. Eighty-nine percent of sexual solicitations of youths were made in chat rooms. The report compiled for the Pew Internet & American Life Project found that nearly nine out of 10 young people, ages 12 through 17, have online access — up from about three-quarters of young people in 2000. Older teen girls who were surveyed, ages 15 to 17, are among the most intense users of the Internet and cell phones, including text messaging.
One in four children who use the Internet are exposed to unwanted sexual material. 21% of teens say they have looked at something on the Internet that they wouldn’t want their parents to know.
Adults and Internet Pornography
80% of 15-17 year olds have had multiple hard-core exposures. 40 million US adults regularly visit Internet pornography websites. 53% Promise Keeper men viewed pornography last week. 47% of Christians say pornography is a major problem in the home. 10% of adults admit to having an Internet sexual addiction. Of visitors to pornography sites, 72% are male and 28% are female. At least 20,000 American adults visit Internet sex sites at least 11 hours per week 75.5% of surveyed adults said it was okay to visit an adult web site, while 79.7% said it was okay for a significant other to reply to an unsolicited instant message or chat with a stranger of the opposite sex.
Women and Pornography
80% of 15-17 year olds have had multiple hard-core exposures. 70% of women keep their cyber activities secret. 17% of all women struggle with pornography addiction. Women, far more than men, are likely to act out their behaviors in real life, such as having multiple partners, casual sex, or affairs. Women favor chat rooms 2X more than men. 1 of 3 visitors to all adult web sites is female. 9.4 million women access adult web sites each month. Women admitting to accessing pornography at work 13% . 34% of churchgoing women said they have intentionally visited porn websites online. Nearly 1.4 million Americans are stalked online each year (4 out of 5 are women.)
Pornography in the workplace
More than 75% of people at work have accidentally visited a pornographic website, and 15% have visited such sites more than 10 times. 63% of employees are concerned about the ease of access to objectionable content at work. 20% of men and 13% of women admitted to accessing pornography at work.
And There’s More
Approximately 40 million people in the United States are sexually involved with the Internet. 2.5 billion emails per day are pornographic. Sex is the number 1 topic searched on the Internet. Out of 81 pastors surveyed (74 males 7 female), 98% were exposed to porn; 43% intentionally accessed a sexually explicit website. At least 20,000 American adults visit Internet sex sites at least 11 hours per week.
The most common ways people have accidentally reached pornographic content on the Web are pop-up windows (55%), misrepresented links (52%), misspelled URLs (48%) and auto links within emails (23%).15 % of online porn habitués develop sexual behavior that disrupts their lives.According to Datamonitor, over half of all spending on the Internet is related to sexual activity. Each day 30 million people log on to pornographic Web sites.
Here are some interesting Internet Pornography Statistics
Reports by Third Way and other reporting agencies made a number of findings, including: Online pornography is proliferating at an alarming rate — from 14 million web pages in 1998 to 420 million today. Online porn is big business. Its $12 billion in annual revenues equals that of the three major television networks combined. Despite the availability of foolproof age verification systems, children have easy access to pornography online. 97% of Internet pornography sites now run basically on an honor system — if a child simply asserts that they are over 18, they get access to the sites. The largest group of consumers of online pornography is kids ages 12-17. The average age at which children are first exposed to porn online is 11 years old.
Elements of the online pornography industry are directly targeting children, using meta-tagging with words like “Santa Claus,” “Disneyland” and “Teletubbies” to draw kids to their websites after searching on those terms. Many online pornographers earn money by the page-view, making it highly lucrative to attract all types of viewers, including children. Daily pornographic search engine requests for pornography total about 68 million per day, or about 25% of all requests.
Daily pornographic emails total about 2.5 billion (8% of total emails.) Monthly Pornographic downloads (Peer-to-peer) 1.5 billion (35% of all downloads
So, is there any tools/gadgets/products in this world to keep away our family from this disaster?. Yes, of course. Maybe you can visit this site for complete information about it at Porn Blocker or Click Here!
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If acing the ISEE/SSAT exam and getting into a private or independent school is important to you and your child then I suggest you absorb every single bellowing word.
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